Paul Antonio
(Class size 60 People)
Textualis Quadrata: The Geometry of Gothic
If Gothic calligraphy has ever felt intimidating, heavy, or weirdly impossible to control, this class is about to change everything.
Textualis Quadrata is the backbone of the Gothic script family.
It’s bold.
It’s architectural.
It’s the hand your eye recognizes instantly, even if your pen has never quite cooperated.
Paul Antonio takes the mystery out of Gothic by showing you the underlying geometry that makes this script work.
Instead of guessing, copying, or fighting the pen, you’ll learn how Textualis Quadrata is built.
How structure creates rhythm.
How geometry gives you confidence.
How a script that looks dense and complex can actually become logical, repeatable, and deeply satisfying to write.
You’ll explore both ends of the Gothic spectrum, from the sharp, angular forms associated with Gutenberg’s printed Bibles to the rounder, more fluid variations found in medieval manuscripts.
Along the way, you’ll develop a strong internal framework you can apply not just to Textualis, but across your entire family of scripts.
This class is not about decorating letters.
It’s about understanding them.
By the end, Gothic will feel less like a historical artifact and more like a living, usable hand you can adapt for contemporary work, expressive pieces, and serious calligraphic study.
If you love structure, history, and scripts with presence, this class will absolutely ruin you for “winging it” ever again.
Paul Antonio
Textualis Quadrata: The Geometry of Gothic
Oct 22 & 23
Acanthus for Calligraphers
Oct 24 & 35
Drawing Acanthus for Borders & Letters
(Class size 20 People)
Acanthus is where calligraphy meets ornament, and where many calligraphers quietly lose their nerve.
In this two-day workshop, Paul Antonio shows you how to draw acanthus so it truly belongs with your lettering, not floating beside it as decoration-for-decoration’s sake.
You’ll learn how structure and flow work together to create acanthus that feels intentional, balanced, and alive on the page.
The intimidation disappears.
The logic appears.
Suddenly, ornament feels like a natural extension of your calligraphy.
Elegant. Classical. Completely usable.
Paul Antonio
Textualis Quadrata: The Geometry of Gothic
Oct 22 & 23
Acanthus for Calligraphers
Oct 24 & 35
The Hand You’ll Learn From:
Paul Antonio is internationally admired for his refined pointed pen work and his contemporary interpretations of traditional scripts.
His lettering is precise yet expressive, grounded in historical understanding while feeling fresh and relevant.
As a teacher, Paul is known for his clarity and generosity, breaking complex concepts into approachable steps that help students see immediate improvement.
His classes combine strong foundations with thoughtful exploration, supporting calligraphers as they develop confidence, control, and a deeper relationship with the pen.
Best for:
Calligraphers working with pointed pen, students refining classical scripts, and artists who want elegant technique with room for personal expression.